The Marsh wore thick fog—soft and close, like being wrapped in a thought. I usually bring a glow to teach the mist how to shine. Tonight, I did nothing. I perched on a bent reed and let the quiet collect.
The fog moved strangely, not in waves but in letters I didn’t know yet. Curves formed, held, and slipped away. A circle rippled on the water without a stone to start it. Another circle answered from farther off. The message wasn’t sound. It was shape.
I dragged a finger through the surface and drew a line toward a patch of cattails. The fog copied me, drawing a second line that met mine at an angle, like two hands finding each other in the dark. The reeds rustled approval. I felt my chest glow without any lantern at all.
We wrote a little marsh-language together: circle for yes, long oval for safe, small triangle for careful. When a heron lifted from the bank, the fog spelled a slow arc that meant go around, and I did, sliding through with barely a whisper.
By dawn, the fog thinned and our words unspooled back into air. I hummed thank you, which in our new alphabet was three widening rings. A hush replied, shaped like a smile. I didn’t light a thing. The Marsh had voice; I only had to listen.