Cold morning. Sap sleeping. Good time to tidy. I brought my little trimming blade and my big patience. “Knock-knock,” I told the first low branch. It didn’t answer. That’s fine. Comedy is about warm-ups.
I thinned a tangle over the path so deer wouldn’t duck and bonk. Each snip made a thup against the quiet. At an old maple, my blade tapped the trunk by accident and the tree replied—boonk—like a drum hitting back. I tapped again. Boonk-boonk. The hollow space inside matched me and then made up its own rhythm.
“You’re hired,” I said, and set a beat on the bark with the flat of my paw. Other hollows joined—doonk from a cedar stump, thoom from a downed log, little tok-tok-tok from a row of pine cones I lined up on a rock. The forest didn’t just listen; it answered.
Birds tried the high notes. My belly tried the low ones. I pruned between the beats, letting the music tell me where to cut and where to leave. When a branch swayed just right, I kept it; when two crossed and argued, snip, peace.
By noon, the understory felt open, neat, and somehow awake, like a room after you slide the furniture to the edges for dancing. The maple gave me one more boonk for the road. I thumped back. Good set. We’ll tour in spring.